Archives For finishing your novel

Non-negotiable

March 25, 2011 — 14 Comments

This post is for a good friend and writing buddy who first introduced me to the incredible writing blog of Alexandra Sokoloff. I recently bought Sokoloff’s Kindle edition of Screenwriting Tricks For Authors (and Screenwriters!), which I highly recommend. Although most of the information in the book is available on her blog, having it all in one place and for a terrific price makes the book a steal (and if you don’t have a Kindle, you can download the reader for your PC for free).

cover of Screenwriting Tips for AuthorsThe following section of the book, from the chapter “Your First Draft Is Always Going to Suck,” was a mini-lifesaver last night:

“Even though you will inevitably end up writing on projects that should be abandoned, you cannot afford to abandon any project. You must finish what you start, no matter how you feel about it. If that project never goes anywhere, that’s tough, I feel your pain. But it happens to all of us. You do not know in the middle of the anguish and despair that is writing if you are going to be able to pull it off or not. The only way you will ever be able to pull it off is to get in the unwavering, completely non-negotiable habit of JUST DOING IT.

Your only hope is to keep going. Sit your ass down in the chair and keep cranking out your non-negotiable minimum number of daily pages, or words, in order, until you get to the end.

This is the way writing gets done.”

Yesterday was a productive day. I spent almost all day on a non-fiction writing project, one with a deadline and that I was able to finish early. I spent some time catching up on emails. I resubmitted a short story that had just come back. After supper, I had some time before my husband and I planned to watch a short program about the making of the new Mildred Pierce miniseries. My head ached, and a drowsy numbness pained my sense (with apologies to Keats), and I was tempted to read a magazine or suggest we watch the program early or otherwise check out for the day.

Finish signBut I hadn’t done any work on my novel. Then, Sokoloff’s word “non-negotiable” rose front and center in my mind, and I knew that if I spent just 20 or 30 minutes adding something, anything to that work, I’d go to bed and wake up the next morning much happier and more relaxed, without the exhausting weight of that which is left undone.

So, sit my ass down and crank out the words I did–only a couple of paragraphs, and I winced at some of the sentences, knowing I’d need to change them later–but when I went to bed, I could answer Dan Pink’s second question with a categorical “yes.”

My writing buddy and I had coffee this week, and we talked about the challenge of keeping up the momentum on a large writing project while working full-time (she is; I’m not) and being a mom to two teenagers (she is; I have only one, who is no longer living at home) and conscientiously fulfilling the responsibilities of work and family and home and social events and causes. She inspires me more than she could ever know, and she is a fantastic writer. Afterward, I got an email from her, saying that she was able to put in 20 minutes on her own large work-in-progress.

That is the way writing gets done.

I’m currently re-reading Dan Pink’s A Whole New Mind for a class I am teaching, and it has reminded me of this short inspirational video based on his book Drive:

[vimeo=8480171]

Note: The embed code has been glitchy, so if you can’t see the video above, click here.

This morning I realized that Pink’s two question can be reworded slightly for writers (my changes are in red):

“If you want to find your true motivation for your novel/story/character/work-in-progress, ask yourself this question: What’s my story’s/character’s sentence?” [another way of thinking about an elevator pitch]

“Think about your sentence, then use it to navigate your writing.”

And this one is particularly powerful, especially when we feel overwhelmed by a large writing project that is several months from completion:

“Each night, before you go to sleep, ask yourself: Am I further along on my writing project today than yesterday? Keep asking yourself that question, because that’s how we really improve and finish, day by day, step by step, over and over for a very long time.”

Writers’ Spring Fever

March 16, 2011 — 10 Comments

“It’s spring fever.  That is what the name of it is.  And when you’ve got it, you want – oh, you don’t quite know what it is you do want, but it just fairly makes your heart ache, you want it so!” ~Mark Twain, Tom Sawyer, Detective

This post is for a writer friend who has been feeling “empty” recently. We all know the feeling. It’s no fun. I hope this helps—at least until spring arrives.

Lee Smith’s “A Life in Books” Talk

Misty of Chincoteague coverAuthor Lee Smth’s AWP Conference Atlanta 2007 Keynote Address is available as a free podcast, and I strongly recommend it for anyone who needs a passion boost. Smith’s memories of obsessive childhood reading and writing, not to mention her warmth and musical voice, may re-awaken the feeling of writing simply because we love to. Consider her description of writing what is in essence “fan fiction”:

“I started writing in the first place, because I couldn’t stand—and this is as a child—because I couldn’t stand for my favorite books to be over, so I wrote more and more chapters onto the ends of them. I wrote many, many chapters onto Heidi, for instance, and The Secret Garden, and Misty of Chincoteague.”

Oh, do her words bring back fond memories of a childhood in books! I am also reminded of one of my favorite quotations about writing, from Toni Morrison: “If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.”

The Value of a Single Page

The second inspiration I found recently is from a two-part guest post on Writer Unboxed with debut novelist Jeffrey Small. I really needed this part of his advice this week:

4.  Write one page at a time.

The thought of writing 400 pages of a complete story with a beginning, middle, and end that has all sorts of twists and turns is intimidating to point of being paralyzing. Novels, however, are not written in one fell swoop. Each day, I had to sit down and begin by starting with a single page, just as twelve step programs encourage their members to take one day at a time. Rather than focus on the end product, or even the challenges that might face me in the next chapter, I set a modest goal for myself: 1000 words a day, about four or five days a week. But I always starting with that first single page. Day by day, the pages began to add up.”

Small also offers this encouragement:

“When I was in the midst of receiving rejection after rejection, I spoke to an old high school friend of mine who is now a best-selling YA author. She said these very simple words that became the most meaningful advice I received through this entire process: Giving up is not an option.”

He goes on to tell how his friend wrote five books, all rejected, in five years before she sold her first novel, which then went on to become a bestseller: “I took my friend’s advice and vowed that I would never give up. Instead of writing five books over five years, I just kept rewriting the same book over five years, until it became good enough.”

Read More:

If Winter Comes…

Finally, when all else fails, change is the one thing we can always count on. As Shelley wrote,

O Wind, If Winter comes, can Spring be far behind? ~ “Ode to the West Wind

It’s coming. I promise.

I am honored today to feature an interview with Kelsey Ketch, whose historical young adult novel Death’s Island is represented by Bree Ogden of Martin Literary Management. Kelsey is as generous as she is talented, and I know that her commitment to a writing life will inspire others to finish—or start—whatever work of passion is knocking at your heart’s door.

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